Angel in the Whirlwind is the epic tale of the American Revolution, from its roots among tax-weary colonists to the triumphant Declaration of Independence and eventual victory and liberty, recounted by Benson Bobrick, lauded by The New York Times as “perhaps the most interesting historian writing in America today.” Overwhelmed with debt following its victory in the French and Indian Wars, England began imposing harsh new tariffs and taxes on its colonists in the 1760s. Rebellion against these measures soon erupted into war. Bobrick thrillingly describes all the major battles, from Lexington and Concord to the dramatic siege of Yorktown, when the British flag was finally lowered before patriot guns. At the same time he weaves together social and political history along with the military history, bringing to life not only the charismatic leaders of the independence movement, but also their lesser-known compatriots, both patriot and loyalist, English and American, whose voices vividly convey the urgency of war.
Illuminated by fresh insight, Angel in the Whirlwind is a dramatic narrative of our nation’s birth, in all its passion and glory.
Illuminated by fresh insight, Angel in the Whirlwind is a dramatic narrative of our nation’s birth, in all its passion and glory.
The untold history of the multiracial making of the border between Canada and the United States.
Often described as the longest undefended border in the world, the Canada-US border was born in blood, conflict, and uncertainty.
At the end of the American Revolution, Britain and the United States imagined a future for each of their nations that stretched across a continent. They signed treaties with one another dividing lands neither country could map, much less control. A century and a half later, Canada and the United States had largely fulfilled those earlier ambitions. Both countries had built nations that stretched from the Atlantic to the Pacific and had made an expansive international border that restricted movement.
The vision that seemed so clear in the minds of diplomats and politicians never behaved as such on the ground. Both countries built their border across Indigenous lands using hunger, violence, and coercion to displace existing communities and to disrupt their ideas of territory and belonging. The border's length undermined each nation's attempts at control. Unable to prevent movement at the border's physical location for over a century, Canada and the United States instead found ways to project fear across international lines They aimed to stop journeys before they even began.
Often described as the longest undefended border in the world, the Canada-US border was born in blood, conflict, and uncertainty.
At the end of the American Revolution, Britain and the United States imagined a future for each of their nations that stretched across a continent. They signed treaties with one another dividing lands neither country could map, much less control. A century and a half later, Canada and the United States had largely fulfilled those earlier ambitions. Both countries had built nations that stretched from the Atlantic to the Pacific and had made an expansive international border that restricted movement.
The vision that seemed so clear in the minds of diplomats and politicians never behaved as such on the ground. Both countries built their border across Indigenous lands using hunger, violence, and coercion to displace existing communities and to disrupt their ideas of territory and belonging. The border's length undermined each nation's attempts at control. Unable to prevent movement at the border's physical location for over a century, Canada and the United States instead found ways to project fear across international lines They aimed to stop journeys before they even began.
A showman’s fate is in the hands of the devil in an enthralling novel inspired by the Faust legend from the bestselling author of the Hangman’s Daughter series.
Rome, 1518. The church is tarnished by greed. Peasants are rebelling. Tumultuous times demand drastic recourse—before the devil gets his due.
Johann Faust is a renowned magician, astrologer, and chiromancer traveling through Germany with his successful troupe: the orphaned juggler Greta and his loyal companion Karl. The avaricious Pope Leo X now requires Johann’s services to replenish the papacy’s drained coffers through alchemy. But the devil, with whom a regretful Johann once agreed to an unholy trade for fame, wants something else. Racked with paralyzing seizures, Johann fears that his debt is nearer to being settled.
In France, Johann hopes for answers from an eminent new friend who could hold the key to his torment, body, and soul. For the celebrated artist, inventor, and anatomist Leonard da Vinci is suffering from the same accursed malady. Time is not on his side either.
Now they all must outrun the devil, and the more human threats of the papal henchmen, before Johann is dragged straight to hell—along with everyone he holds dear.
Rome, 1518. The church is tarnished by greed. Peasants are rebelling. Tumultuous times demand drastic recourse—before the devil gets his due.
Johann Faust is a renowned magician, astrologer, and chiromancer traveling through Germany with his successful troupe: the orphaned juggler Greta and his loyal companion Karl. The avaricious Pope Leo X now requires Johann’s services to replenish the papacy’s drained coffers through alchemy. But the devil, with whom a regretful Johann once agreed to an unholy trade for fame, wants something else. Racked with paralyzing seizures, Johann fears that his debt is nearer to being settled.
In France, Johann hopes for answers from an eminent new friend who could hold the key to his torment, body, and soul. For the celebrated artist, inventor, and anatomist Leonard da Vinci is suffering from the same accursed malady. Time is not on his side either.
Now they all must outrun the devil, and the more human threats of the papal henchmen, before Johann is dragged straight to hell—along with everyone he holds dear.
A midway murder sends a terrified eyewitness running for her life—from a cop, a con, and her own secrets—in this mystery by the author of the John J. Malone series.
The best carnival barker in the business couldn’t have drawn a crowd like the one now gathered around the Ferris wheel on the pier. In one of the cabs, still rocking with the ocean breeze, is a dead man—a bloody knife protruding from his back. Why the notorious gambling boss Jerry McGurn was killed is no mystery. Who did it is. And there’s only one probable witness to the crime.
As bystanders go, Ellen Haven comes across as innocent: pretty enough, plus her blue eyes well up with tears at the mere mention of something as awful as murder. Homicide detective Art Smith wants to believe she didn’t see a thing. Why would she lie? Then again, why else would she suddenly vanish? And Smith isn’t the only one looking for her; so is a brutal ex-con, fresh out of San Quentin, with a score to settle. Smith knows he’d better find her first, but Ellen is leading both men into a hall of mirrors where illusions of guilt and innocence can shatter with a single gunshot.
A former crime reporter, Craig Rice was “the first writer of detective fiction to make the cover of Time magazine. Her hardcover sales figures matched those of her bestselling contemporaries Rex Stout, Ellery Queen, Erle Stanley Gardner, and Raymond Chandler. She’s worth remembering” (Jon L. Breen, Edgar Award–winning author).
The best carnival barker in the business couldn’t have drawn a crowd like the one now gathered around the Ferris wheel on the pier. In one of the cabs, still rocking with the ocean breeze, is a dead man—a bloody knife protruding from his back. Why the notorious gambling boss Jerry McGurn was killed is no mystery. Who did it is. And there’s only one probable witness to the crime.
As bystanders go, Ellen Haven comes across as innocent: pretty enough, plus her blue eyes well up with tears at the mere mention of something as awful as murder. Homicide detective Art Smith wants to believe she didn’t see a thing. Why would she lie? Then again, why else would she suddenly vanish? And Smith isn’t the only one looking for her; so is a brutal ex-con, fresh out of San Quentin, with a score to settle. Smith knows he’d better find her first, but Ellen is leading both men into a hall of mirrors where illusions of guilt and innocence can shatter with a single gunshot.
A former crime reporter, Craig Rice was “the first writer of detective fiction to make the cover of Time magazine. Her hardcover sales figures matched those of her bestselling contemporaries Rex Stout, Ellery Queen, Erle Stanley Gardner, and Raymond Chandler. She’s worth remembering” (Jon L. Breen, Edgar Award–winning author).
On January 17, 1781, a remarkable battle took place in the backwoods of South Carolina. British Lt. Colonel Banastre Tarleton, handpicked by General Charles Cornwallis for command due to his dash and record of accomplishment, was opposed by Brigadier General Daniel Morgan, a rough-and-tumble son of the American frontier. Morgan employed a scheme so brilliantly conceived and masterfully executed that within an hour, the British found themselves overwhelmed, enveloped, and routed from the field. In response to this stunning American victory, Cornwallis embarked on a reckless, desperate trek north in pursuit of Morgan--a strategy that ultimately led to his own defeat at Yorktown.
In his compelling account of the Battle of Cowpens, Jim Stempel makes the case that Morgan's victory closely mirrors Hannibal's extraordinary triumph at Cannae, regarded by many as one of the greatest military accomplishments of all time. With a narrative style that plunges readers into the center of the events, American Hannibal will enthrall students of American history and newcomers to the subject alike.
In his compelling account of the Battle of Cowpens, Jim Stempel makes the case that Morgan's victory closely mirrors Hannibal's extraordinary triumph at Cannae, regarded by many as one of the greatest military accomplishments of all time. With a narrative style that plunges readers into the center of the events, American Hannibal will enthrall students of American history and newcomers to the subject alike.
In this stirring, reflective collection of short stories, Joyce Carol Oates ponders alternate destinies: the other lives we might have led if we’d made different choices. An accomplished writer returns to her childhood home of Yewville, but the homecoming stirs troubled thoughts about the person she might have been if she’d never left. A man in prison contemplates the gravity of his irreversible act. A student’s affair with a professor results in a pregnancy that alters the course of her life forever. Even the experience of reading is investigated as one that can create a profound transformation: “You could enter another time, the time of the book.”
The (Other) You is an arresting and incisive vision into these alternative realities, a collection that ponders the constraints we all face given the circumstances of our birth and our temperaments, and that examines the competing pressures and expectations on women in particular. Finely attuned to the nuances of our social and psychic selves, Joyce Carol Oates demonstrates here why she remains one of our most celebrated and relevant literary figures.
The (Other) You is an arresting and incisive vision into these alternative realities, a collection that ponders the constraints we all face given the circumstances of our birth and our temperaments, and that examines the competing pressures and expectations on women in particular. Finely attuned to the nuances of our social and psychic selves, Joyce Carol Oates demonstrates here why she remains one of our most celebrated and relevant literary figures.
Half fable, half manifesto, this brilliant new take on the ancient concept of cash lays bare its unparalleled capacity to empower and enthrall us.
Frederick Kaufman tackles the complex history of money, beginning with the earliest myths and wrapping up with Wall Street’s byzantine present-day doings. Along the way, he exposes a set of allegorical plots, stock characters, and stereotypical metaphors that have long been linked with money and commercial culture, from Melanesian trading rituals to the dogma of Medieval churchmen faced with global commerce, the rationales of Mercantilism and colonial expansion, and the U.S. dollar’s 1971 unpinning from gold.
The Money Plot offers a tool to see through the haze of modern banking and finance, demonstrating that the standard reasons given for economic inequality—the Neoliberal gospel of market forces—are, like dollars, euros, and yuan, contingent upon structures people have designed. It shines a light on the one percent’s efforts to contain a money culture that benefits them within boundaries they themselves are increasingly setting. And Kaufman warns that if we cannot recognize what is going on, we run the risk of becoming pawns and shells ourselves, of becoming characters in someone else’s plot, of becoming other people’s money.
Frederick Kaufman tackles the complex history of money, beginning with the earliest myths and wrapping up with Wall Street’s byzantine present-day doings. Along the way, he exposes a set of allegorical plots, stock characters, and stereotypical metaphors that have long been linked with money and commercial culture, from Melanesian trading rituals to the dogma of Medieval churchmen faced with global commerce, the rationales of Mercantilism and colonial expansion, and the U.S. dollar’s 1971 unpinning from gold.
The Money Plot offers a tool to see through the haze of modern banking and finance, demonstrating that the standard reasons given for economic inequality—the Neoliberal gospel of market forces—are, like dollars, euros, and yuan, contingent upon structures people have designed. It shines a light on the one percent’s efforts to contain a money culture that benefits them within boundaries they themselves are increasingly setting. And Kaufman warns that if we cannot recognize what is going on, we run the risk of becoming pawns and shells ourselves, of becoming characters in someone else’s plot, of becoming other people’s money.